To Run Wild In It is a book about tarot, an experimental novella, a ‘channelled’ text and an extension of ideas first broached in David Keenan’s acclaimed debut novel, This Is Memorial Device. Taking the maxim that the best way to understand the tarot is to create your own, Keenan has reimagined the deck as the unfolding of parallel stories alive with uncanny oracular detail. In collaboration with the artist Sophy Hollington, the pair have also created an accompanying deck that, while still having an umbilical to the card’s archaic roots, future-visions it as a glam-punk portal deep into the Now.

This is the story of one man’s dream to edit a groundbreaking contemporary poetry anthology, of how that dream was actually a lot of work, what with reading many bad poems and also competent ones and handwriting rejection letters and using his wife’s family money to pay postage and production costs, all while trying to bounce his newborn son to sleep. It is the story of the epiphanies that come with extreme tiredness: that maybe, just maybe, the greatest poetry book of all is one that contains no poems.

A collection of 13 pieces of courage and resistance, this is work inspired by protests and rallies. Poems written for the women’s march, for women’s empowerment and amplification, poems that salute people fighting for justice, poems on sexism and racism, class discrimination, period poverty and homelessness, immigration and identity. This work reminds us that Courage is a Muscle, it also contains a letter from the spirit of Hope herself, because as the title suggests, Pessimism is for Lightweights.

A collection of drawings from the pencil of Ana da Silva, songwriter and musician in the legendary group The Raincoats. Having always drawn and written poetry, lyrics, ideas, in Love, oh love Ana presents us with these disparate elements merged together, combining to express, with a renewed vigour, her unique vision.

After getting a retweet from American comedian Rob Delaney regarding his own fart joke (something Rob Delaney may well not remember) Babak Ganjei woke up to find a number of film producers from Los Angeles following him. Sensing an opportunity somewhere, anywhere, over the next five years Babak used Twitter to pitch film ideas, sadly to no avail. While ill and housebound Babak started to write them down in analogue form and discovered an audience waiting for his films.

In Film Ideas, artist Babak Ganjei presents his hallucinatory set of film pitches as both a comic lampoon of Hollywood tropes and a classic example of outsider-self-expression. Extremely funny and shot through with Ganjei’s singular world-view. Film Ideas brilliantly exposes our thin, absurd media culture.